Bill Friday, writer/producer of the soon to be in production Web film code name: Jonny GITMO, sat down for a few questions (and shots of espresso) with the staff of Hollywood Adjacent.Hollywood Adjacent: Bill, thanks for taking time out of what must be a crazy schedule to be here.
Bill Friday: No problem. Ever since we got the greenlight, I've learned that things like this are a part of the schedule now. And since I used to be a part of Hollywood Adjacent, it only seems right that I talk to you first.
Hollywood Adjacent: Well thanks. So, tell us about the film.
Bill Friday: The working title is code name: Jonny GITMO. It's about a young man who is captured by U.S. forces in Iraq, and mistakenly identified as a terrorist, then held in Guantanamo by our Government for several years.
Hollywood Adjacent: Sounds very current.
Bill Friday: But with a twist. After years of this prison experience, he has a crisis of faith...
Hollywood Adjacent: His Muslim faith?
Bill Friday: Yes. And after his eventual release, he becomes a contract killer.
Hollywood Adjacent: With the code name of Jonny Gitmo?
Bill Friday: You got it.
Hollywood Adjacent: Who does he work for?
Bill Friday: That's the thing. After everything that's happened to him - call it his "identity crisis" - he no longer has an "identity". Everything he once stood for or believed has either been stripped from him, or given up voluntarily, to the point where the man he was no longer exists. It's kind of a play on the words of Ortega y Gasset. You know, "I am myself and my circumstance." In Jonny's case it's, "I am no longer myself."
Hollywood Adjacent: Deep.
Bill Friday: Not really. Not the way I'm doing it.
Hollywood Adjacent: And how is that?
Bill Friday: Pure exploitation... with subtitles. Robert Rodriguez says subtitles turn any film into an "art film".
Hollywood Adjacent: Now that's deep.
Bill Friday: I really hope so.
Hollywood Adjacent: This is your first film, correct?
Bill Friday: Uh-huh. Until recently, I had never expected to produce anything - let alone be in charge of the production. I've had a couple of scripts make the rounds, but this is the first anything that's grown legs, so to speak.
Hollywood Adjacent: Your release says that you're in pre-production. What kind of time frame are you looking at for the project?
Bill Friday: The est of the Summer will be spent on what's left of script development - boards, blocking, casting, scouting locations. After that, say around mid-September, we'll shoot. L.A. has some really interesting seasonal lighting around October. I hope to capture as much of that through the lens as we can while it's there. Ultimately, we're hoping to screen some before the end of the year.
Hollywood Adjacent: And you'll keep Hollywood Adjacent posted?
Bill Friday: Absolutely. You'll know before anyone else.
Hollywood Adjacent: Is there anything that you've learned in working on this project that would sum up what it's been like so far?
Bill Friday: Yeah, there is. People say that there's no such thing as an "overnight" anything in this business, and I know that's true. But while that's true, I can't believe this is all happening so fast. One day, you're writing for free on somebody's website, the next, someone wants you to make a movie.
This is one crazy town.

















